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Of course, Pacific Rim isn't entirely finished just yet, though it will continue on in a different medium. In that sense, it's especially disappointing that a world with so much potential has to be cut short because of money. It seems more likely that the lack of a Pacific Rim 3 isn't due to story problems, but because of behind the scenes matters like box office returns. The ending of Pacific Rim: Uprising left some threads dangling, and DeKnight also hinted fan favorite character Mako Mori's (Kikuchi) storyline is incomplete. This will surely come as a disappointment for Pacific Rim fans, particularly since it looked like there was a lot more story to tell within this world. In fact, he has no plans at the moment to revisit Pacific Rim, writing, " Talking only as a fan BTW - NO plans to return." After sharing his interest in seeing a Pacific Rim and MonsterVerse (which houses Legendary's Godzilla and Kong movies) crossover on social media, del Toro clarified that this is not an idea for a third movie. Now del Toro has commented on the matter, and his words leave little in question. Related: Pacific Rim 3 Updates: Will A Kaiju Sequel Happen? DeKnight (who took over from del Toro) hinted at story ideas for a third Pacific Rim, saying it would be about " g etting the band back together." Even then, though, he admitted he didn't know what would happen with Pacific Rim 3. In the months following Pacific Rim: Uprising's release, director Steven S. As a result, it soon became unclear if the Pacific Rim franchise would earn a third installment. Pacific Rim: Uprising garnered a more mixed response from critics and audiences, and it struggled to match its predecessor in terms of box office returns. A sequel, Pacific Rim: Uprising, was released five years later and starred John Boyega. Though not an overwhelming box office success, Pacific Rim performed reasonably well and earned positive reviews from audiences. It starred Charlie Hunnam, Rinko Kikuchi, and Idris Elba. Acclaimed director del Toro broke into the monster blockbuster realm in 2013 with Pacific Rim, an original sci-fi tale that introduced the concept of Jaegers, giant robots controlled by two human pilots fighting a war against the Kaiju.
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This is not the degradation of film, this is the much needed laxative in a world of fast edited adaptations, sequels, and reboots with emo endings.Three years after the second installment, Guillermo del Toro insists he has no plans for a Pacific Rim 3. I not only hope for a sequel, I hope for loving imitators who don't aspire to pretentious greatness (Rise of the Guardians), don't have something to immaturely prove (Man of Steel), and actually have their own story to tell even if its derivative (Star Trek into Darkness is not only a Rip-off of Wrath of con, but it is practically a sequel that is DEPENDANT on it). It feels like Hollywood at its best since they just want us to have a good time. They can be dumb or dull, but it feels more like a circumstance of a rushed schedule or odd-ball casting. Genuine love for what they are doing in the film and real effort in making us as the audience part of that fun. They may not have had the best plots or most original stories, but they had substance that can honestly be felt.
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This is a movie (strangely enough like John Carter) that should just be enjoy. This was the kind of fun I remember as a kid. I came in, saw some good fights, and got a happy ending without bullshit. This movie (while very flawed) should be a model example of popcorn entertainment. The fights are exciting because of anticipation and build up. Yes this has giant robots and that is the main reason to see the film, but they are not just jingling keys in front of us. Sure it has lack luster actors, but they are mixed with some fine ones as well. This is not Transformers 3 or the Hobbit where special effects and action scenes are a cluttered mess of ADD rave parties that try to up the excitement with jumpy editing. This movie is not Man of Steel or Star Trek into Darkness where there is a child-like obsession with being "taken seriously" by adding grotesque violence or depressing overtones. It is not something that can be measured by terms like "latest and greatest" or "cutting edge". It is not just drama or social commentary.